Free grotesque fonts

The nineteenth and twentieth century sans tradition: closed apertures, an even rhythm, and as few opinions as the designer could manage.

About grotesque typefaces

How to recognise it

  • Closed apertures — the ends of the c, s and a curl back towards the letter.
  • Terminals cut horizontally or vertically, never on an angle.
  • An even, regular rhythm with little modulation in the strokes.
  • A capital R with a straight or barely curved leg, and a G that often keeps a spur.

Grotesque or humanist?

A grotesque comes out of nineteenth-century sign lettering and keeps its apertures tight; a humanist comes out of writing and opens them. The tighter the apertures, the more neutral — and the harder the face works at very small sizes.

Humanist fonts →

Where it works

Interfaces, signage, branding that wants to sound plain, and any design where the typeface should not have an opinion.

Where it does not

Very small text on a poor screen, where closed apertures make similar letters harder to tell apart.

52 fonts

Inter

Rasmus Andersson

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Space Grotesk

Florian Karsten

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 5 weights · OFL · Türkçe

Work Sans

Wei Huang

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Public Sans

Dan Williams, Pablo Impallari

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Archivo Black

Omnibus-Type

Sphinx of black quartz, judge my vow

Display · 1 weight · OFL · Türkçe

IBM Plex Mono

Mike Abbink, Bold Monday

Sphinx of black quartz, judge my vow

Monospace · 7 weights · OFL · Türkçe

Karla

Jonny Pinhorn

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 7 weights · OFL · Türkçe

Arimo

Steve Matteson

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 4 weights · OFL · Türkçe

Oswald

Vernon Adams, Kalapi Gajjar, Cyreal

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 6 weights · OFL · Türkçe

Libre Franklin

Impallari Type

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Heebo

Oded Ezer

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Roboto

Christian Robertson, ParaType, Font Bureau

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Roboto Mono

Christian Robertson

Sphinx of black quartz, judge my vow

Monospace · Variable · 7 weights · OFL · Türkçe

Archivo

Omnibus-Type

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Instrument Sans

Rodrigo Fuenzalida, Jordan Egstad

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 4 weights · OFL · Türkçe

Schibsted Grotesk

Bakken & Bæck, Henrik Kongsvoll

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 6 weights · OFL · Türkçe

Barlow

Jeremy Tribby

Sphinx of black quartz, judge my vow

Sans-serif · 9 weights · OFL · Türkçe

Onest

Dmitri Voloshin, Andrey Kudryavtsev

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Geist

Andrés Briganti, Mateo Zaragoza, Guillermo Rauch, Evil Rabbit, José Rago, Facundo Santana

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 9 weights · OFL · Türkçe

Bricolage Grotesque

Mathieu Triay

Sphinx of black quartz, judge my vow

Sans-serif · Variable · 7 weights · OFL · Türkçe

Spline Sans Mono

Eben Sorkin, Mirko Velimirović

Sphinx of black quartz, judge my vow

Monospace · Variable · 5 weights · OFL · Türkçe

Kanit

Cadson Demak

Sphinx of black quartz, judge my vow

Sans-serif · 9 weights · OFL · Türkçe

Sphinx of black quartz, judge my vow

Monospace · Variable · 5 weights · OFL · Türkçe

Questions

What is a grotesque font?
The nineteenth and twentieth century sans tradition: closed apertures, an even rhythm, and as few opinions as the designer could manage. Closed apertures — the ends of the c, s and a curl back towards the letter.
When should I use a grotesque typeface?
Interfaces, signage, branding that wants to sound plain, and any design where the typeface should not have an opinion. Where it does not work: very small text on a poor screen, where closed apertures make similar letters harder to tell apart.
What is the difference between grotesque and humanist fonts?
A grotesque comes out of nineteenth-century sign lettering and keeps its apertures tight; a humanist comes out of writing and opens them. The tighter the apertures, the more neutral — and the harder the face works at very small sizes.
Are these grotesque fonts free for commercial use?
Yes. All 52 of them are published under licences that permit commercial use — the SIL Open Font License, the Apache License 2.0, the Ubuntu Font Licence or a release into the public domain — with no fee and no credit required. Every download on this site includes the licence file inside the zip.